Truly Virtual Web Art Museum presents
Two Art Theorists & Their Artwork
Herbert W. Franke
Herbert W. Franke
Selected pictures of different order classes and various complexity
- All art works are offers for perception. The goal of perception (and especially
the apperception - perception data which come in the consciousness) is searching
for the meaning of the received stimulus patterns. This neuronal process is also
relevant for the confrontation with a work of art. The positive emotion
resulting from the successful interpretation is an important base for the
positive emotions caused by artworks. A second important effect is the positive
or negative feelings due through semantic associations.
A higher
degree of order reduces the time for perception, and a higher degree of
complexity extends the time for perception. For most daily stimuli patterns, the
perception time is very short, but an artwork should evoke longer viewing
occupation time. This is the reason that most artworks have a more complicated
structure, with help of combinations of different (but together related) classes
of meaning, on different association levels, syntactic and semantic.
- During viewing these pictures observe your own
reactions and estimate how you have more and more success by finding relations
and interpretations.
Tanz der Elektronen, 1961/1962
Raumstudie 1287, 1955
Raumstudie 1289, 1955
Elektronische Grafik, 1956
Moiré (gem. mit Andreas Hübner), ~ 1954
2D–Zellularer Automat, ~1992
Mathematische Landschaft, (gem. mit Horst Helbig), 1979 - 1992
Downtown, (gem. mit Horst Helbig), 1979 -
1992
Schlinge (gem. mit Andreas Hübner),
1953-1955
Fourier (gem. mit Horst Helbig), 1979 - 1992
Trauben, ~1955
1D Cell Automat, ~1992
Bananen, transparent, ~1955
Bananen, ~1980
Quadrate (Art Meets Sciene), 1967
Projektionen/Rotationen, 1970/1971
Cave Impression, 2004
Verzahnung, 2001/2002
Grafischer Wald, ~2007
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